{"id":1283,"date":"2019-03-28T15:57:24","date_gmt":"2019-03-28T21:57:24","guid":{"rendered":"http:\/\/redeemerlutheranchurch.ca\/?page_id=1283"},"modified":"2022-09-10T04:08:48","modified_gmt":"2022-09-10T10:08:48","slug":"music-and-hymnody","status":"publish","type":"page","link":"http:\/\/redeemerlutheranchurch.ca\/?page_id=1283","title":{"rendered":"Sacred Music & Art"},"content":{"rendered":"
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Hymns as poems: Why read the words without the music? Here are some good reasons! Link Here<\/a><\/p>\n\n\n\n

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“Awake, Harp & Lyre” Concert<\/h3>\n\n\n\n

Select Link: https:\/\/www.facebook.com\/watch\/live\/?ref=watch_permalink&v=910326102704030<\/a><\/p>\n\n\n\n

The complete Awake, Harp & Lyre<\/em> concert (June 15, 2019 at Redeemer) featuring music by Bach, Handel, Mozart, and others, performed by soprano Adria Jackson and harpist Jacquie McNulty. <\/p>\n\n\n\n

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A Guide to Music in Worship<\/a><\/p>\n\n\n\n

Lutheran Music, by Reverend David Jackson<\/a><\/p>\n\n\n\n

Lutheran Hymn Quiz<\/a><\/p>\n\n\n\n

Luther\u2019s Hymns in LSB<\/a><\/p>\n\n\n\n

Why Certain Hymn Texts Endure<\/a>
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\"Lucas<\/a>
Lucas Cranach the Elder, Law and Gospel, Herzogliches Museum, Gotha, Germany<\/figcaption><\/figure>\n<\/div>\n\n
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\"Herderkirche<\/a>
An in-depth look at Cranach\u2019s Weimar Altarpiece<\/a><\/figcaption><\/figure>\n<\/div>\n\n\n

Articles on Church Art:<\/strong><\/p>\n\n\n\n

A Defense of Beauty: Lutherans and Church Art\ufeff<\/a><\/p>\n\n\n\n

Cranach and Luther<\/a>
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Early Church Architecture<\/a>
The earliest Lutheran churches took a variety of forms, yet all display a commitment to the gathering, the centrality of Sacramental life \u2014 Holy Baptism and the Lord\u2019s Supper \u2014 and the authority of Scripture.<\/p>\n\n\n\n

Links:<\/strong><\/p>\n\n\n\n

Cranach Digital Archive<\/a><\/p>\n\n\n\n

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About Redeemer’s Organ<\/strong><\/p>\n\n\n

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The organ at Redeemer Lutheran, installed in 2013, was built by Rodgers Instruments Corporation of Hillsboro, Oregon. It is the Infinity Model 361, spanning various tonal genres that provide extraordinary musical expressiveness and versatility. A phalanx of 12 speakers (including four subwoofers) is installed in the sanctuary that work together to produce dimensional sound along the same paths that would be followed by natural pipe organ sounds. There are three manuals with a significant stop selection augmented with hundreds of additional stop library voices.  It is possible to perform various periods and style of organ repertoire with accurate authenticity using this model of organ. <\/p>\n\n\n\n

Organ Specifications<\/strong><\/p>\n\n\n\n

\u2013 3 Manuals (Drawknob Console)
\u2013 59 Primary Stops (Can be augmented to a total of 376 voices)
\u2013 Chimes and Zimbelstern
\u2013 19 Couplers; 8 MIDI Controls
\u2013 25 Divisional Pistons; 12 General Pistons; 24 Configurable Toe Pistons
\u2013 99 Levels of Memory per Piston
\u2013 2 Expression Shoes; 1 Crescendo Shoe
\u2013 4 Main Tremulants
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Organ Disposition (Engraved Stops)
GREAT (Manual II) SWELL (Manual III)
Montre 16′ Bourdon Amabile 16′
Principal 8′ Diapason 8′
Harmonic Flute 8′ Bourdon 8′
Chimney Flute 8′ Flute Celeste 8′
Gemshorn 8′ Viole Celeste 8′
Octave 4′ Prestant 4′
Spitzfl\u00f6te 4′ Traverse Flute 4′
Quinte 2 2\/3′ Nazard 2 2\/3′
Superoctave 2′ Octavin 2′
Fourniture V 1 1\/3′ Tierce 1 3\/5′
Trompete 8′ Chorus Mixture IV
Double Trumpet 16′
Trumpet 8′
Hautbois 8′
Clarion 4′
CHOIR (Manual I) PEDAL
Erz\u00e4hler 16′ Principal Bass 32′
Montre 8′ Contra Bourdon 32′
Gedeckt 8′ Contra Bass 16′
Erz\u00e4hler Celeste 8′ Subbass 16′
Principal 4′ Bourdon Amabile 16′
Koppelfl\u00f6te 4′ Violone 16′
Cornet III Octave 8′
Klein Octave 2′ Violoncello 8′
Larigot 1 1\/3′ Gedackt Bass 8′
Rauschwerke IV Choral Bass 4′
Cromorne 8′ Mixture IV 2 2\/3′
Tuba Imperial 8′ Contra Bombarde 32′
Bombarde 16′
Trompete 8′
Clarion 4′
SOLO (Floating)
Corno Di Bassetto 16′
Flauto Mirabilis 8′
Trompete\/Chamade 8′
French Horn 8′
English Horn 8′
Orchestral Flute 4′ <\/p>\n","protected":false},"excerpt":{"rendered":"

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